dhfddaksj lkjdsahflaksd hf The Chinese-language cinema has three distinct historical threads: Cinema of Hong Kong, Cinema of China, and Cinema of Taiwan. Since 1949 the cinema of mainland China has operated under restrictions imposed by the Communist Party of China's State Administration of Radio, Film, and Television and Central Propaganda Department. Many films with political overtones made in China are still censored or banned in China itself; however, some of these films are distributed abroad commercially or at film festivals. China also restricts the showing of foreign-made films in Chinese cinemas to 20 each year. Currently, the vast majority of the Mainland-produced movies uses Mandarin. Mainland films are often dubbed into Cantonese when exported to Hong Kong for theatrical runs.See: http://en.wikipedia.org/wiki/Cinema_of_China
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Encyclopaedia
- Zhang, Yingjin Xiao Zhiwei(1998).Encyclopedia of Chinese film. . London : New York
Bibliography
- Cheng, Jim(2004).An annotated bibliography for Chinese film studies = Zhongguo dian ying yan jiu shu mu ti yao. . Hong Kong : Hong Kong University Press
Book review
- Yiman, Wang(2003).Building a New China in Cinema: The Chinese Left-Wing Cinema Movement, 1932-1937. The Journal of Asian Studies, 62(4, 1226.
- Gina, Marchetti(2003).China into Film: Frames of Reference in Contemporary Chinese Cinema. The Journal of Asian Studies, 62(4, 1232.
Agency
- 国家广播电影电视总局 The State Administration of Radio Film and Television
. http://www.sarft.gov.cn/
Laws and Regulations
- 国家广播电影电视总局中外合作摄制电影片管理规定.
- 国家广播电影电视总局,&中华人民共和国商务部《电影企业经营资格准入暂行规定》的补充规定.
- 国家广播电影电视总局电影片进出境洗印、后期制作审批管理办法.
- 国家广播电影电视总局成立电影院线报批程序.
- 广播电影电视部电影审查规定.
- 国家广播电影电视总局电影剧本(梗概)备案、电影片管理规定.
- 国家广播电影电视总局电影企业经营资格准入暂行规定.
- 中华人民共和国国务院电影管理条例(2001). 中华人民共和国国务院令2001.16, 37
- 国家广播电影电视总局广电总局关于印发《广播影视知识产权 战略实施意见》的通知.
- 国务院批准,&文化部、海关总署发布进口影片管理办法.
- 国家广播电影电视总局关于废止部分广播影视部门规章和规范性文件的决定.
- 国家广播电影电视总局(2010.7.12).电影艺术档案管理规定.
Archive and record
- 上海年华-中国现代电影期刊全目书志.
- 上海年华-中国电影明星录.
- 吴迪. Wu, Di(2006).中国电影研究资料 : 1949-1979 /Zhongguo dian ying yan jiu zi liao : 1949-1979. . 北京 : 文化藝術出版社, 2006. : 第1版.Beijing : Wen hua yi shu chu ban she
Biography and Memoir
- 倪震, Ni Zhen(2002).北京电影学院故事 : 第五代电影前史 /Beijing dian ying xue yuan gu shi : di wu dai dian ying qian shi. . 北京 : 作家出版社, 2002. : 第1版.Beijing : Zuo jia chu ban she
- Ni, Zhen(2002).Memoirs from the Beijing Film Academy: the genesis of China's fifth generation. Duke University PressAsia-Pacific;
Yearbook
- 中国电影年鉴 /Zhongguo dian ying nian jian. . 北京 : 中国电影出版社, 1982-; Beijing : Zhongguo dian ying chu ban she
Magazine & newspaper
- 大众電影.Da zhong dian ying. . 北京 : 《大众电影》杂志社,; Beijing : Da zhong dian ying za zhi she
Monograph and book
- Farquhar, Mary Ann(2006).China on screen : cinema and nation. . New York : Columbia University PressFilm and culture series; Variation: Film and culture series.; Film and culture., 313 s..
- Xu, Gary G.(2007).Sinascape : contemporary Chinese cinema. Rowman & Littlefield Publishers
- Chow, Rey(1995).Primitive passions : visuality, sexuality, ethnography, and contemporary Chinese cinema. . New York : Columbia University PressFilm and culture;, xiv, 252 p..
- Cornelius, Sheila Smith Ian Haydn(2002).New Chinese cinema : challenging representations. . London : New YorkShort cuts series(11, 133 p..
- Wang, Shujen(2003).Framing piracy : globalization and film distribution in greater China. Rowman & Littlefield
- Lu, Hsiao-peng(2001).China, transnational visuality, global postmodernity. Stanford University Press
- Pang, Laikwan(2002).Building a new China in cinema : the Chinese left-wing cinema movement, 1932-1937. Rowman & Littlefield Publishers
- Leyda, Jay(1972).Dianying; an account of films and the film audience in China. . Cambridge : Mass., MIT Press
- Zhang, Yingjin(2004).Chinese national cinema. RoutledgeNational cinemas; Variation: National cinemas series.
- Marchetti, Gina(2006).From Tian'anmen to Times Square : transnational China and the Chinese diaspora on global screens, 1989-1997. . Philadelphia : Temple University Press
- Silbergeld, Jerome(1999).China into film : frames of reference in contemporary Chinese cinema. . London : Reaktion BooksEnvisioning Asia;, 351 p..
- Dissanayake, Wimal(1988).Cinema and cultural identity : reflections on films from Japan, India, and China. . Lanham, MD : University Press of America
- Hayward, Susan(2000).Cinema studies : the key concepts. . London : New YorkRoutledge key guides;, xx, 528 p..
- Zhu, Ying(2003).Chinese cinema during the era of reform : the ingenuity of the system. . Westport, Conn. : Praeger
- Lu, Sheldon H.(1997).Transnational Chinese cinemas : identity, nationhood, gender. . Honolulu, HI : University of Hawaii Press
- Zhang, Xudong(1997).Chinese modernism in the era of reforms : cultural fever, avant-garde fiction, and the new Chinese cinema. . Durham, NC : Duke University PressPost-contemporary interventions;, xiv, 431 p..
- Semsel, George Stephen Chen Xihe Xia Hong(1993).Film in contemporary China : critical debates, 1979-1989. . Westport, Conn. : Praeger
- Clark, Paul(2005).Reinventing China : a generation and its films. Hong Kong : The Chinese University Press, c2005.China : a generation and its films
- Lim, Song Hwee(2006).Celluloid comrades : representations of male homosexuality in contemporary Chinese cinemas. University of Hawai'i Press
- Donald, Stephanie(2000).Public secrets, public spaces : cinema and civility in China. . Lanham, Md. : Rowman & Littlefield
- Chow, Rey(2007).Sentimental fabulations, contemporary Chinese films : attachment in the age of global visibility. Columbia University PressFilm and culture series; Variation: Film and culture.
- Curtin, Michael(2007).Playing to the world's biggest audience : the globalization of Chinese film and TV. Berkeley : University of California Press
- Cui, Shuqin(2003).Women through the lens : gender and nation in a century of Chinese cinema. University of Hawai`i Press
- Barlow, Tani E.(2002).Cinema and desire : feminist Marxism and cultural politics in the work of Dai Jinhua. . London : New York
- Clark, Paul(1987).Chinese cinema : culture and politics since 1949. Cambridge Cambridgeshire ; New York : Cambridge University Press, 1987.
Journal article
- Chu, Katherine Kit Ling(2010).Co-Opting the Wolves: National Film Industry Reform in China After 1978. Asian Politics & Policy, 2(1, 95-121.
- Clark, P.(1987).ETHNIC-MINORITIES IN CHINESE FILMS - CINEMA AND THE EXOTIC. East-West Film Journal, 1(2, 15-31.
- Zhu, Y.(2002).Chinese cinema's economic reform from the mid-1980s to the mid-1990s. Journal of Communication, 52(4, 905-921.
- Chen, Y. R.(2000).Film and social change: The Chinese cinema in the reform era. Journal of Popular Film and Television, 28(1, 36-45.
- Yau, E. C. M.(1993).INTERNATIONAL FANTASY AND THE NEW CHINESE CINEMA. Quarterly Review of Film and Video, 14(3, 95-107.
Theses and dissertation
- Shen, Vivian(1999).The origins of left-wing cinema in China, 1932-1937. . United States -- California : University of California, Los Angeles
- Chen Yu, Lin(2003).La representacion de la realidad en la obra de Joris Ivens en China: "Como Yukong movio las montanas". . Spain : Universidad de Navarra (Spain)
- Magnan-Park, Aaron Han Joon(2002).Cinescapes of the "yet-to-be-fully-national": Hong Kong action cinema's transnational engagement. . United States -- Iowa : The University of Iowa
- Ma, Jean Yen-Chun(2003).Time without measure, sadness without cure: Hou Hsiao-hsien's films of history. . United States -- Illinois : The University of Chicago
- Sheng, Horng-Huey Heidi(1998).A Chinese cultural inquiry of Zhang Yimou's films. . United States -- California : California State University, Fresno
- Stephenson, Shelley(2000).The occupied screen: Star, fan, and nation in Shanghai cinema, 1937--1945. . United States -- Illinois : The University of Chicago
- Braester, Yomi(1997).Writing terror: Crises of historical testimony in twentieth-century Chinese literature and film. . United States -- Connecticut : Yale University
- Berry, Christopher Allen(1999).Towards a postsocialist cinema: The representation of the Cultural Revolution in films from the People's Republic of China, 1976-1981. . United States -- California : University of California, Los Angeles
- Wei, Shiyu Louisa(2002).The Fifth Generation and beyond: Reflections on contemporary Chinese film culture. . Canada : University of Alberta (Canada)
- Voci, Paola(2002).Visual dissent in twentieth-century China: A study of the exhibitionist mode of representation in cinema, literature, and media. . United States -- Indiana : Indiana University
- Lai, Chiu-han Linda(2006).Producing heterotopia: Traces of the cinema in the thick space of governmentality, localism and citizenship in 1934 Hong Kong. . United States -- New York : New York University
- Hong, Guo-Juin(2004).Cinematograph of history: Post/colonial modernity in 1930s Shanghai and new Taiwanese cinema since 1982. . United States -- California : University of California, Berkeley
- Szeto, Kin-Yan(2005).The cosmopolitical martial arts cinema of Asia and America: Gender, ethnicity and transnationalism. . United States -- Illinois : Northwestern University
- Sze, S.(2004).Remapping Taipei: Globalization and Edward Yang's films. . Hong Kong : University of Hong Kong (Hong Kong)
- Qin, L.(2007).Trans-media strategies of appropriation, narrativization, and visualization: Adaptations of literature in a century of Chinese cinema. . United States -- California : University of California, San Diego
- Pun, M.(2003).Remembering the Cultural Revolution: A study of Chinese cinema since 1978. . Hong Kong : University of Hong Kong (Hong Kong)
- Udden, James Nathan(2003).Hou Hsiao-hsien and the aesthetics of historical experience. . United States -- Wisconsin : The University of Wisconsin - Madison
- Vukovich, Daniel Frederick(2005).Sinological-orientalism: The production of the West's post-Mao China. . United States -- Illinois : University of Illinois at Urbana-Champaign
- Hess, N.(2006).Imagining independence: The thematic concerns and circulation of independent film from Hong Kong and China. . Hong Kong : University of Hong Kong (Hong Kong)
- Chu, Lui(2006).Out of the Cold-War west: A sociological view on the emergence of a Chinese art cinema in the mid-1980s. . United States -- New York : Columbia University
- Wang, Ting(2006).Global Hollywood and China's filmed entertainment industry. . United States -- Illinois : Northwestern University
- Yip, June Chun(1996).Colonialism and its counter-discourses: On the uses of "nation" in modern Taiwanese literature and film. . United States -- New Jersey : Princeton University
- Chang, Li-Mei(2000).Postcolonial blues: Hong Kong cinema and cultural identity. . United States -- Michigan : Wayne State University
- Lau, Kwok Wah(1989).A cultural interpretation of the popular cinema of China and Hong Kong, 1981-1985. . United States -- Illinois : Northwestern University
- Huang, Yueh Li(1993).The rise and fall of the New Chinese Cinema during the Chinese reformation in the 1980s. . United States -- California : California State University, Fresno
- Hoare, Stephanie Alison(1989).Melodrama and innovation: Literary adaptation in contemporary Chinese film. . United States -- New York : Cornell University
- Zhang, Li-hui(1995).Xie Jin: A microcosm of Socialist China before 1980. . United States -- California : University of Southern California
- Shen, Shiao-Ying(1995).Permutations of the foreign/er: A study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hsiao-Hsein. . United States -- New York : Cornell University
- Yau, Ching-Mei Esther(1990).Filmic discourse on women in Chinese cinema (1949-1965): Art, ideology and social relations. . United States -- California : University of California, Los Angeles
- Yue, Audrey Ing-Sun(1999).Pre-post-1997 postcolonial Hong Kong cinema 1984-1997. Thesis (doctoral)--La Trobe Univesity, 1999. 1999.
- Lam, Yung Adam(2000).Identity, tradition and globalism in post-Cultural Revolution Chinese feature films. Thesis (PhD--Chinese Studies)--University of Auckland, 2000. 2000.
- Zhou, Xuelin(2002).To screen new heroes : a study of Chinese "youth problem" films. Thesis (PhD--Film, Television and Media Studies)--University of Auckland, 2002. 2002.
- Wong, Tania(1995).Transgressing boundaries : Chinese film and architecture. Thesis (BArch)--University of Auckland, 1995. 1995.
- Yu, Gwo-chauo(1993).China, Hong Kong, and Taiwan: The convergence and interaction of Chinese film. . United States -- Texas : University of North Texas
- Yeh, Yueh-yu(1995).A national score: Popular music and Taiwanese cinema. . United States -- California : University of Southern California
- Harris, Kristine Marie(1997).Silent speech: Envisioning the nation in early Shanghai cinema. . United States -- New York : Columbia University
- Ge, Congmin(2002).Ideas of cinema in China, 1913--1937: Three Chinese filmmakers. . England : University of Leeds (United Kingdom)
- Chi, Robert Yee-sin(2001).Picture perfect: Narrating public memory in twentieth-century China. . United States -- Massachusetts : Harvard University
- Zhang, Zhen(1998)."An amorous history of the silver screen": Film culture, urban modernity, and the vernacular experience in China, 1896-1937. . United States -- Illinois : The University of Chicago
- Lee, Chu-Chun(1995).A modernist auteur, Edward Yang: The first decade of his film career (1982-1991). . United States -- California : University of Southern California
- Long, Megan(2002).The adventure of cinema: The films of Mt. Everest from 1922 to 1996. . Canada : York University (Canada)
- Pang, Lai Kwan(1997).China's Left-wing Cinema Movement, 1932-1937: History, aesthetics, and ideology. . United States -- Missouri : Washington University
- Mao, J.(2002).New sensations in Shanghai literature and cinema in the 1930s and 1940s. . Hong Kong : Hong Kong University of Science and Technology (Hong Kong)
- Lu, Heying(1996).Cross-cultural analysis using power relation, differance, and icons: A study of Chen Kaige and Zhang Yimou's films of the early 1990s. . United States -- Utah : Brigham Young University
- Palmer, Augusta L.(2004).Crossroads: Nostalgia and the documentary impulse in contemporary Chinese cinemas. . United States -- New York : New York University
- McGrath, Jason(2004).Culture and the market in contemporary China: Cinema, literature, and criticism of the 1990s. . United States -- Illinois : The University of Chicago
- Liu, J.(2008).Signifying the local: Media productions rendered in local languages in Mainland China since 2000. . United States -- New York : Cornell University
- Wang, Z.(2009).Revolutionizing the silver screen a user-centered discursive study of early PRC cinema: 1949-59. . United States -- Washington : University of Washington
- Li, Y.(2008).In/from the art of Wenda Gu and Trinh T. Minh-ha, toward a transnational model of art education. . United States -- Pennsylvania : The Pennsylvania State University
- Wang, Q.(2008).Writing against oblivion: Personal filmmaking from the Forsaken Generation in post-socialist China. . United States -- California : University of California, Los Angeles
- Weng, D.(2009)."Mosuo Song Journey": A cross-cultural documentary fieldwork experience in Yunnan, China. . United States -- New York : State University of New York at Buffalo
- Blumenfield Kedar, T.(2010).Scenes from Yongning: Media creation in China's Na villages. . United States -- Washington : University of Washington
- Bong, I.(2010).Destabilizing racial harmony: Hybridity, nationality, and spatiality in the law and cultural production of Manchukuo. . United States -- New York : Cornell University
- Wicks, J.(2010).The antecedents of Taiwan New Cinema: The state of Taiwan film in the 1960s and 1970s. . United States -- California : University of California, San Diego
- Ma, K.(2010).Elitism, populism, Chinese culture, and transnational industries: A cultural-genre study of Chen Kaige and Zhang Yimou's film narratives. . United States -- Virginia : Regent University
- Lu, X.(2008).Biopolitics and cinema: Practices, representations, and the moulding of the socialist subject in China, 1949--1966. . United States -- New York : State University of New York at Stony Brook
- Li, J.(2010).The past is not like smoke: A memory museum of the Maoist era (1949--1976). . United States -- Massachusetts : Harvard University
- Tseng, L.(2008).Pictures in motion: The cinematic art of Zheng Zhengqiu and his Shanghai contemporaries, 1910--1935. . United States -- Illinois : University of Illinois at Urbana-Champaign
- Tang, L.(2008).Nonsensical speech: Speech acts in postsocialist Chinese culture. . United States -- Washington : University of Washington
- Ginoza, N.(2007).Dissonance to affinity: An ideological analysis of Japanese cinema in the 1930s. . United States -- California : University of California, Los Angeles
- Sweeny, M.(2008).Stars: The configuration and trajectory of women in Chinese cinema during the first half of the twentieth century. . Canada : McGill University (Canada)
- Funnell, L.(2010).The warrior women of transnational cinema gender and race in Hollywood and Hong Kong action films. . Canada : Wilfrid Laurier University (Canada)
- Johnson, M.(2008).International and wartime origins of the propaganda state: The motion picture in China, 1897--1955. . United States -- California : University of California, San Diego
- Tiburzi, B.(2007).The fifth generation: Chinese cinema's "great leap forward". . United States -- Missouri : University of Missouri - Saint Louis
- Law, Y.(2007).On time and festivity: A study of Chinese New Year films. . Hong Kong : University of Hong Kong (Hong Kong)
- Tse, H. Tommy(2007).Narcissism in male sexuality: "Lan Yu", "Crystal Boys" and "Brokeback Mountain". . Hong Kong : University of Hong Kong (Hong Kong)
- Lau, K.(2008).Myth of Dreams. . Canada : University of Windsor (Canada)
- Marcantonio, C.(2007).Geo-emotive landscapes: The global cinema of Pedro Almodovar and Wong Kar-Wai. . United States -- New York : New York University
- Xie, W.(2010).Female cross-dressing in Chinese opera & cinema. . United States -- Connecticut : Yale University
- Fan, H.(2010).Football meets opium a topological study of political violence, sovereignty, and cinema archaeology between "England" and "China". . United States -- Connecticut : Yale University
- Shin, M.(2008).Yellow Hollywood: Asian martial arts in U.S. global cinema. . United States -- California : University of Southern California
- Dong, X.(2009).China at play: Republican film comedies and Chinese cinematic modernity. . United States -- Massachusetts : Harvard University
- Zhou, W.(2009).Reading cinematic texts in East and West: A space of repression and resistance. . United States -- South Carolina : University of South Carolina
- Bao, Y.(2008).In search of laughter in Maoist China: Chinese comedy film, 1949--1966. . United States -- Ohio : The Ohio State University
- Wang, Yiman(2003).Moving the image between Shanghai, Hong Kong and Hollywood from the 1920s to 1990s: Reformulating film remaking and national cinema. . United States -- North Carolina : Duke University
- Zhang, Rui(2005).Feng Xiaogang and Chinese cinema after 1989. . United States -- Ohio : The Ohio State University
- Zha, Yu(2004).The mythology of "Hero": A study of Chinese national cinema. . Canada : McGill University (Canada)
- Xie, Yanqing(2002).Cinema as history? Three films about China: The Good Earth, The Sand Pebbles, and The Last Emperor. . United States -- New York : State University of New York at Albany
- Wu, Chia-chi(2004).Chinese language cinemas in transnational flux. . United States -- California : University of Southern California
- Nie, J.(2009).Beijing in the shadow of globalization: Production of spatial poetics in contemporary Chinese cinema, literature, and drama. . United States -- California : University of California, Davis
- Ding, Y.(2009).Hong Kong's cultural identity reflected in Jackie Chan's films. . United States -- Kentucky : University of Louisville
- Chiang, C.(2010).Theorizing ambivalence in Ang Lee's transnational cinema: The discourse of Chinese identity between the local and the global. . United States -- Colorado : University of Denver
- Yang, W.(2009).Myth, spectacle, memory: Envisioning history in contemporary Hong Kong literature and film. . United States -- Connecticut : Yale University
- Martin, S.(2009).Fantasy at work: The culture of production in the Hollywood and Hong Kong media industries. . United States -- California : University of California, Irvine
- Chang, K.(2008).Disrupting boundaries of desire: Gender, sexuality, and globalization in Tsai Ming-liang's cinema of the oppressed. . United States -- Texas : The University of Texas at Austin
- Moreira Macedo de Carvalho, L.(2009).The ambivalent identity of Wong Kar-wai's cinema. . Canada : Universite de Montreal (Canada)
- Yu, H.(2008).The politics of images: Chinese cinema in the context of globalization. . United States -- Oregon : University of Oregon
- Zhang, Q.(2009).From Hollywood to Shanghai: American silent films in China. . United States -- Pennsylvania : University of Pittsburgh
- Nagayama, C.(2009).Fantasy of empire: Ri Koran, subject positioning and the cinematic construction of space. . Canada : University of Toronto (Canada)
- Choe, Y.(2007).Trans-Asian cinema and the ideology of tourism. . United States -- California : University of California, Berkeley
- Su, W.(2009).China's encounter with global Hollywood from 1994 to 2008----Cultural policy, film modernity, and transnational partnerships. . United States -- Minnesota : University of Minnesota
Researcher
University departments
- The School of Asian Studies. The University of Auckland
Level 4, Arts 2, 18 Symonds St, Auckland , New Zealand . http://www.arts.auckland.ac.nz/uoa/home/about/departments-and-schools/school-of-asian-studies
Society
- 中国电影家协会
北京市北三环东路22号 . http://www.cfa.org.cn/
Library
- Shanghai Movie Archive Library 上海影视文献图书馆
3/F, 574 Quyang Lu 曲阳路574号 .- Shanghai Library
上海市淮海中路1555号 , Shanghai, China . http://www.library.sh.cn/english/- Beijing Film Academy Library 北京电影学院图书馆
海淀区西土城路4号 . http://library.bfa.edu.cn/index.htm
Archive
Museum
- CHINA NATIONAL FILM MUSEUM
朝阳区南影路9号, Beijing, China . http://www.cnfm.org.cn/
Resource Guide
Taiwan film studies
- 中国电影年鉴 /Zhongguo dian ying nian jian. . 北京 : 中国电影出版社, 1982-; Beijing : Zhongguo dian ying chu ban she
- Wu, I. Fen(2002).Taiwanese New Wave cinema: Historical representation and cultural landscape. . England : University of Essex (United Kingdom)
- Hong, Guo-Juin(2004).Cinematograph of history: Post/colonial modernity in 1930s Shanghai and new Taiwanese cinema since 1982. . United States -- California : University of California, Berkeley
- Wicks, J.(2010).The antecedents of Taiwan New Cinema: The state of Taiwan film in the 1960s and 1970s. . United States -- California : University of California, San Diego
- Yip, June Chun(1996).Colonialism and its counter-discourses: On the uses of "nation" in modern Taiwanese literature and film. . United States -- New Jersey : Princeton University
- Tsou, Charlyne Chien-Lin(1992).New Taiwanese Cinema: A critical analysis. . United States -- California : California State University, Fresno
- Yeh, Yueh-yu(1995).A national score: Popular music and Taiwanese cinema. . United States -- California : University of Southern California
- Lin, Ying-chia(1993).A descriptive analysis of the development and decline of New Taiwan Cinema, 1982-1986. . United States -- Texas : University of North Texas
- Rodriguez, Hector(1995).The cinema in Taiwan: National identity and political legitimacy. . United States -- New York : New York University
- Yu, Gwo-chauo(1993).China, Hong Kong, and Taiwan: The convergence and interaction of Chinese film. . United States -- Texas : University of North Texas
Asian Studies Resource Guide